Persian rugs in Australia

his 17th-century Persian kilim, housed in the Iran Bastan Museum in Tehran, originates from the mausoleum of Sheikh Safi al-Din in Ardebil. Unlike traditional kilims, it lacks slits, showcasing advanced craftsmanship. The design features two large vases filled with flowers, enclosed in an arabesque, with floral embellishments across the field. The border is adorned with elongated cartouches and interwoven medallions. Reflecting Safavid-era artistry, this kilim is a testament to Persian weaving heritage. Persian Carpet Gallery offers a curated collection of authentic Persian kilims and rugs for enthusiasts and collectors alike.

The Silk Kilim from the Thyssen-Bornemisza Collection in Lugano, Switzerland, is a rare 17th-century Safavid-era Persian kilim from Kashan, Central Persia. Also known as the Figdor Kilim, it is a tapestry-woven masterpiececrafted with silk and silver-threaded silk weft, measuring 197 x 129 cm (78 x 51 inches).

This exquisite kilim features elongated medallions filled with intricate animal motifs, some depicting animals in dynamic interactions. The surrounding arabesque border enhances its elegance, distinguishing it from other Kashan kilims. Considered one of the earliest Safavid kilims, it showcases advanced Persian weaving techniques and reflects the artistic excellence of the Safavid dynasty.

Now housed in the Thyssen-Bornemisza Collection, this silk kilim remains a priceless artifact, representing the pinnacle of historical Persian textile artistry.

The Silk Kilim at the Textile Museum, Washington, D.C., is a rare 17th-century Persian tapestry-woven rug from Kashan or Isfahan. Made with a silk warp and silk and gold/silver weft, it showcases exceptional craftsmanship with 112 warp threads per 10 cm. Its intricate design features a phoenix and dragon in combat, cranes in flight, and mythical kylins, alongside various animals in its borders. Similar pieces exist in Berlin's Islamisches Museum and the Metropolitan Museum of Art, New York. Textile expert M.S. Dimand attributes it to an Isfahan workshop, highlighting the rich Persian weaving heritage.